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Hannes Bend


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About the Work

Bend's new paintings play on the viewer’s expectations of how ready-made color and hard-edge abstraction should operate. By fragmenting and superimposing circles—specifically chosen for their association with harmony, perfection, and infinity—the artist engages with the medium’s history, perhaps most notably in contrast to Gerhard Richter’s Colour Chart paintings from the 1960s and ‘70s.