Love’s Dark Corners

Wendy White is a visual artist whose work encompasses painting, sculpture, and installation and often references symbols and iconography of contemporary advertising, branding, American pop culture, and twentieth-century art history. Through juxtaposing gestural mark-making and fabricated elements, White uses sculptural and spatial interventions to defy and expand the boxed-in limitations of the traditional canvas. White’s work has been featured in solo exhibitions at Gaa Gallery, Provincetown, MA; Kaikai Kiki, Tokyo; Leo Koenig Inc., New York; Shulamit Nazarian, Los Angeles; COUNTY, Palm Beach; Maruani Noirhomme, Brussels; VAN HORN, Düsseldorf; Denny Dimin Gallery, New York; David Castillo, Miami; Eric Firestone Gallery, New York; Andrew Rafacz Gallery, Chicago; Galerie Jérôme Pauchant, Paris; Sherrick & Paul, Nashville; and Galeria Moriarty, Madrid. White’s work has been featured in numerous institutional exhibitions, including, Low Pressure at Museum Goch, Germany; The World’s Game: Fútbol and Contemporary Art at Perez Art Museum, Miami, FL and LACMA, Los Angeles, CA; Full of Peril and Weirdness, M Woods, Beijing, China; Globe as a Palette: Contemporary Art from the Taguchi Collection, Hokkaido Obihiro Museum of Art; The Art Show: Art of the New Millenium in Taguchi Art Collection, The Museum of Modern Art, Gunma, Japan; Taguchi Hiroshi Art Collection at The Museum of Fine Arts, Gifu, Japan; American Idyll at SCAD Museum of Art, Savannah, GA; EXPEDITION at The Brattleboro Museum and Art Center, Brattleboro, VA; and So Athletic, Kunstverein Rosa-Luxemburg-Platz, Berlin, among others. White is the recipient of the Teiger Mentorship in the Arts at Cornell University (2019), a Painting Fellowship from the New York Foundation for the Arts (2012) and a George Segal Painting Grant (2008). Her work was featured in Phaidon’s anthology Vitamin P2: New Perspectives in Painting (2011) and has been reviewed in The New Yorker, The New York Times, Artforum, Art in America, New York Magazine, The Washington Post, The San Francisco Chronicle, Artnet, Time Out New York, Modern Painters, ArtNews and BOMB, among others. White has delivered over 50 artist lectures at art schools and institutions in the US and abroad, including Bard College, Pratt University, The School of Visual Arts, School of the Art Institute of Chicago, MASS Art, Rhode Island School of Design, Royal Institute of the Arts (Stockholm, SE), Cranbrook Academy, School of the Museum of Fine Arts, Virginia Commonwealth University, ArtEZ Institute of the Arts (Arnhem, NL) and Kansas City Art Institute, among others. Permanent collections include Detroit Institute of the Arts, Detroit, MI; The High Museum, Atlanta, GA; RISD Art Museum, Providence, RI; Museum Goch, Goch, DE; Kranzberg Art Foundation, St. Louis, MO; Saks Fifth Avenue; Taguchi Art Collection, Tokyo, JP; UK Art Museum, Lexington, KY; Mercedes-Benz Stadium, Atlanta, GA; Savannah College of Art & Design, Savannah, GA; UBS Art Collection; Progressive Art Collection; The Shinola Hotel, Detroit, MI; and ARCO Foundation, Madrid, ES.

Signed and numbered by the artist en verso. This work is accompanied by a Certificate of Authenticity signed and numbered by Exhibition A

Be sure to keep your Certificate of Authenticity (COA) in a safe place. We are unable to replace or reissue COAs.

Framed artwork is custom framed once it is ordered. Allow 3-5 weeks for framing and delivery.

FRAME
All of our frames are made from sustainably sourced engineered hardwood that is manufactured in the USA. Frames are available in Black or White Matte and Walnut.

MAT
Prints are hinged to a conservation quality, acid-free and lignin-free Cellulose matboard, using acid-free polyethylene cloth tape. Each mat’s surface paper is fade and bleed resistant and is attached to a conversation quality foam-core board. Some of our work (typically those pieces with a deckled edge) is floated on the matboard with spacers to separate the artwork from the glazing.

GLAZING
We use museum quality .060 mm plexiglass to frame your work. It blocks 82-85% of UV rays to prevent color fading from exposure to light, protecting your art for years to come.

DIMENSIONS
Our White and Black frames have a ⅞” wide flat face and are 15/16” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.

Our Natural and Walnut frames have a ¾” wide flat face and are 1 ⅛” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.

Any artwork that is floated will be placed in a frame that has a ⅝” wide flat face and is 1 5/16” deep. Work will be floated with a 1” border around it.

Unframed work ships within 5 business days of your order. Framed artwork is custom framed once it is ordered. Please allow 2-4 weeks for framing and delivery. Need it faster? Expedited options may be available by emailing service@exhibitiona.com. All work ships from the US. International customers are responsible for any customs, duty, or VAT charges. 

If you change your mind after placing your order, please email us at service@exhibitiona.com within 24 hours. We will not be able to accommodate cancellations for framed orders after that time period (as your frame will have been ordered and cut within that time period). We may not be able to accommodate your request to cancel your order for an unframed work after 24 hours if it has been packaged and processed by our fulfillment center. 

We are unable to accept returns on custom framed artwork. Our general policy is that we do not accept returns. If your print arrives damaged or does not meet your expectations, you may be eligible for a replacement or return. Any issues must be reported within 5 business days of receipt by emailing service@exhibitiona.com.