About the Work
Each print was hand-finished by Pieter Schoolwerth, layering acrylic brushstrokes over the printed brushstrokes.
Schoolwerth’s ‘painting in the last instance’ captures invisible flows of abstraction that structure contemporary experience, and turns them into motifs for an elaborate new kind of figurative painting. In his work, the materiality of paint itself reappears as a supplement only at the end of a complex, multi-media effort to produce a figurative picture depicting the ‘once removed’ space of the virtual.
NoRecord3_2019 revisits Schoolwerth’s Your Vacuum Sucks series from 2014- 2015, which combines photography, digital processing and printing, drawing, and painting to produce contemporary portraits that abstract and destabilize the human figure and its environment through processing the image through these various technologies.
Artist Biography
Pieter Schoolwerth (b. 1970, St. Louis, MO) has held solo exhibitions at Petzel (New York), KTZ (Berlin), Kunstverein Hannover, Thread Waxing Space (New York), Greene Naftali (New York), American Fine Arts Co., Miguel Abreu Gallery (New York) Galerie SKE (New Delhi), Galerie Nathalie Obadia (Paris, Brussels) and Capitain Petzel (Berlin). His work has been included in group exhibitions at The Museum of Modern Art (New York), The Whitney Museum of American Art (New York), Centre Pompidou (Paris), Hessel Museum of Art at Bard College (New York), The Aldrich Museum of Contemporary Art (Ridgefield, CT), the Institute of Contemporary Art (Boston), Sadie Coles HQ (London), Kraupa-Tuskany Zeidler (Berlin), and Gavin Brown Enterprises (New York). His work is in the permanent collections of the San Francisco Museum of Modern Art, the Museum of Contemporary Art (Los Angeles), the Denver Art Museum, and the Phoenix Art Museum. He has held teaching positions at Cooper Union, Bard College, and the Critical Theory and the Arts MA Program at The School of Visual Arts in New York. Schoolwerth’s first monograph, Model as Painting, was published by Sequence Press in 2019. He lives and works in New York.
Authentication & Resale
This work is signed by the artist on front.
Framing
Framed artwork is custom framed once it is ordered. Allow 3-5 weeks for framing and delivery.
FRAME
All of our frames are made from sustainably sourced engineered hardwood that is manufactured in the USA. Frames are available in Black or White Matte and Walnut.
MAT
Prints are hinged to a conservation quality, acid-free and lignin-free Cellulose matboard, using acid-free polyethylene cloth tape. Each mat’s surface paper is fade and bleed resistant and is attached to a conversation quality foam-core board. Some of our work (typically those pieces with a deckled edge) is floated on the matboard with spacers to separate the artwork from the glazing.
GLAZING
We use museum quality .060 mm plexiglass to frame your work. It blocks 82-85% of UV rays to prevent color fading from exposure to light, protecting your art for years to come.
DIMENSIONS
Our White and Black frames have a ⅞” wide flat face and are 15/16” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Our Natural and Walnut frames have a ¾” wide flat face and are 1 ⅛” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Any artwork that is floated will be placed in a frame that has a ⅝” wide flat face and is 1 5/16” deep. Work will be floated with a 1” border around it.
Shippings & Returns
Unframed work ships within 5 business days of your order. Framed artwork is custom framed once it is ordered. Please allow 2-4 weeks for framing and delivery. Need it faster? Expedited options may be available by emailing service@exhibitiona.com. All work ships from the US. International customers are responsible for any customs, duty, or VAT charges.
If you change your mind after placing your order, please email us at service@exhibitiona.com within 24 hours. We will not be able to accommodate cancellations for framed orders after that time period (as your frame will have been ordered and cut within that time period). We may not be able to accommodate your request to cancel your order for an unframed work after 24 hours if it has been packaged and processed by our fulfillment center.
We are unable to accept returns on custom framed artwork. Our general policy is that we do not accept returns. If your print arrives damaged or does not meet your expectations, you may be eligible for a replacement or return. Any issues must be reported within 5 business days of receipt by emailing service@exhibitiona.com.
