About the Work
The rich, layered ink in this 20-color silkscreen is a material expression of Sally Kindberg’s preoccupation with surface and what lies under the slick image. From Kindberg’s painting of the same name, Dynamite has a pair of uncannily white teeth chomping uneasily on a cigar.
“Interested in both high and low brow culture, I play on the notion of the tragicomic in a society that is both civilised and ridiculous. This humorous approach acts as a portal that enables us to explore our more unsavoury emotions. My paintings stay predominantly figurative - the figurative, which is the starting point, at times moves towards abstraction. In my paintings, I am interested in the contrast between flatness and the illusion of three-dimensionality, looking for a composition which is often a double take, highlighting the overlooked in the everyday through the use of colour, mark making, stylisation.”
Sally Kindberg (b. Stockholm, Sweden) has a 2023 solo exhibition at Public Service Gallery (Stockholm). Previous solo exhibitions have been held at Thierry Goldberg (New York), Everyday Mooonday (Seoul), Duve (Berlin), Peter von Kant (St Leonards), Four You Gallery (Dubai), 12 Star Gallery (London), Peter von Kant (London), and Hospital Club (London). Select group exhibitions include presentations at NEXX Asia (Taipei), Volery Gallery (Dubai) curated by Stems Gallery, Row Gallery at UNC Charlotte, Rodolphe Janssen (Brussels), Peter Von Kant (London), MOCA (London), and Guild Hall Art Gallery (London). Kindberg lives and works in London.
Authentication & Resale
Signed and numbered by the artist on front. This work is also accompanied by a Certificate of Authenticity signed and numbered by Exhibition A.
Be sure to keep your Certificate of Authenticity (COA) in a safe place. We are unable to replace or reissue COAs.
Please contact email@example.com to have this work framed. Framed artwork is custom framed once it is ordered. Allow 3-5 weeks for framing and delivery.
All of our frames are made from sustainably sourced engineered hardwood that is manufactured in the USA. Frames are available in Black or White Matte and Walnut.
Prints are hinged to a conservation quality, acid-free and lignin-free Cellulose matboard, using acid-free polyethylene cloth tape. Each mat’s surface paper is fade and bleed resistant and is attached to a conversation quality foam-core board. Some of our work (typically those pieces with a deckled edge) is floated on the matboard with spacers to separate the artwork from the glazing.
We use museum quality .060 mm plexiglass to frame your work. It blocks 82-85% of UV rays to prevent color fading from exposure to light, protecting your art for years to come.
Our White and Black frames have a ⅞” wide flat face and are 15/16” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Our Natural and Walnut frames have a ¾” wide flat face and are 1 ⅛” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Any artwork that is floated will be placed in a frame that has a ⅝” wide flat face and is 1 5/16” deep. Work will be floated with a 1” border around it.
Shippings & Returns
Unframed work ships within 5 business days of your order. Framed artwork is custom framed once it is ordered. Please allow 2-4 weeks for framing and delivery. Need it faster? Expedited options may be available by emailing firstname.lastname@example.org. All work ships from the US. International customers are responsible for any customs, duty, or VAT charges.
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We are unable to accept returns on custom framed artwork. Our general policy is that we do not accept returns. If your print arrives damaged or does not meet your expectations, you may be eligible for a replacement or return. Any issues must be reported within 5 business days of receipt by emailing firstname.lastname@example.org.