About the Work
Dan Attoe’s paintings depict views of nature disrupted by the presence of humans, suggesting mysterious narratives about their relationship to these otherwise untouched settings. For Glowing River 2, Attoe has used silver ink to add text or line drawings that hint at what might be happening in the image. Upon closer inspection, subtle details reveal themselves, giving the forest and its glowing river an eerie significance.
Artist Biography
Dan Attoe (b. 1975, Bremerton, WA) has mounted solo exhibitions at The Hole (Los Angeles), Half Gallery (New York), Peres Projects (Berlin + Los Angeles), Western Exhibitions (Chicago), Museo de Arte Contemporanea de Castilla y Leon, and Vilma Gold (London). He has been included in group exhibitions at MoMA PS1 (New York), Franklin Parrash Gallery (New York), The Hole (New York), Zabludowicz Collection (London) and Astrup Fearnley Museet (Oslo) among others. He has been featured in The New York Times, Artforum, Paper, ArtInfo, Frieze, Muse, andGQ. Attoe lives and works in Southwest Washington.
Authentication & Resale
This work is signed, dated and numbered by the artist on front accompanied by a Certificate of Authenticity signed and numbered by Exhibition A
Be sure to keep your Certificate of Authenticity (COA) in a safe place. We are unable to replace or reissue COAs.
Framing
Framed artwork is custom framed once it is ordered. Allow 3-5 weeks for framing and delivery.
FRAME
All of our frames are made from sustainably sourced engineered hardwood that is manufactured in the USA. Frames are available in Black or White Matte and Walnut.
MAT
Prints are hinged to a conservation quality, acid-free and lignin-free Cellulose matboard, using acid-free polyethylene cloth tape. Each mat’s surface paper is fade and bleed resistant and is attached to a conversation quality foam-core board. Some of our work (typically those pieces with a deckled edge) is floated on the matboard with spacers to separate the artwork from the glazing.
GLAZING
We use museum quality .060 mm plexiglass to frame your work. It blocks 82-85% of UV rays to prevent color fading from exposure to light, protecting your art for years to come.
DIMENSIONS
Our White and Black frames have a ⅞” wide flat face and are 15/16” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Our Natural and Walnut frames have a ¾” wide flat face and are 1 ⅛” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Any artwork that is floated will be placed in a frame that has a ⅝” wide flat face and is 1 5/16” deep. Work will be floated with a 1” border around it.
Shippings & Returns
Unframed work ships within 5 business days of your order. Framed artwork is custom framed once it is ordered. Please allow 2-4 weeks for framing and delivery. Need it faster? Expedited options may be available by emailing service@exhibitiona.com. All work ships from the US. International customers are responsible for any customs, duty, or VAT charges.
If you change your mind after placing your order, please email us at service@exhibitiona.com within 24 hours. We will not be able to accommodate cancellations for framed orders after that time period (as your frame will have been ordered and cut within that time period). We may not be able to accommodate your request to cancel your order for an unframed work after 24 hours if it has been packaged and processed by our fulfillment center.
We are unable to accept returns on custom framed artwork. Our general policy is that we do not accept returns. If your print arrives damaged or does not meet your expectations, you may be eligible for a replacement or return. Any issues must be reported within 5 business days of receipt by emailing service@exhibitiona.com.
