About the Work
Exhibition A is pleased to announce a new silkscreen with Chris Succo based on his recent series of untitled silkscreen paintings exhibited at Almine Rech. Using images cut from magazines, Succo creates gritty, monochromatic collages reminiscent of faded rock posters. In the press release for his Brussels show this particular body of work is described as "flirting with the history of the nude in painting, collages in impoverished grayscale, deadpan renderings of adolescent excesses glorified by rock and roll."
Chris Succo was born in 1979 in Düsseldorf, Germany, where he currently lives and works. He was a Meisterschüler of Georg Herold at Kunstakademie Düsseldorf, where he graduated in 2009, and received his MFA from Royal College of Art in London, United Kingdom, in 2012. Chris Succo’s most recent solo exhibitions include “Language Of Elbow” at Almine Rech Gallery (Brussels, Belgium), “Chris Succo” at DUVE Berlin and “Total Recall” at Rod Barton Gallery (London). His work has been included in numerous group exhibitions, including “Ayan Farah, Max Lamb, Chris Succo” at Almine Rech Gallery (London), “The Go Between: Work From The Ernesto Esposito Collection” at Museo Di Capodimonte (Naples, Italy), and “LIFE," The Journal Gallery at Venus over Manhattan (New York), among others.
Authentication & Resale
This work is accompanied by a Certificate of Authenticity signed and numbered by the artist.
Be sure to keep your Certificate of Authenticity (COA) in a safe place. We are unable to replace or reissue COAs.
Framed artwork is custom framed once it is ordered. Allow 3-5 weeks for framing and delivery.
All of our frames are made from sustainably sourced engineered hardwood that is manufactured in the USA. Frames are available in Black or White Matte and Walnut.
Prints are hinged to a conservation quality, acid-free and lignin-free Cellulose matboard, using acid-free polyethylene cloth tape. Each mat’s surface paper is fade and bleed resistant and is attached to a conversation quality foam-core board. Some of our work (typically those pieces with a deckled edge) is floated on the matboard with spacers to separate the artwork from the glazing.
We use museum quality .060 mm plexiglass to frame your work. It blocks 82-85% of UV rays to prevent color fading from exposure to light, protecting your art for years to come.
Our White and Black frames have a ⅞” wide flat face and are 15/16” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Our Natural and Walnut frames have a ¾” wide flat face and are 1 ⅛” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Any artwork that is floated will be placed in a frame that has a ⅝” wide flat face and is 1 5/16” deep. Work will be floated with a 1” border around it.
Shippings & Returns
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We are unable to accept returns on custom framed artwork. Our general policy is that we do not accept returns. If your print arrives damaged or does not meet your expectations, you may be eligible for a replacement or return. Any issues must be reported within 5 business days of receipt by emailing firstname.lastname@example.org.