About the Work
In the hands of Tony Cox, everyday found objects come together to compose deeply personal narratives. His colorful abstractions demonstrate a playful, handcrafted quality while maintaining a spiritual edge - perhaps to make up for the rituals and traditions he feels are lacking in the United States. Attributinh his knack for sewing to his grandmother, Cox is able to embroider with a mysticism that alludes to the religions of Morocco, Spain, and India. In Persian Princess Mourning Her Peacock, the artist uses sock holders, feathers, barrettes, mesh netting, fabric and paint to create a mask-like collage, a prime example from a larger series of work called "Recycled Relations." Cox collects materials from his travels, the results yielding a glimpse of the metaphysical and maybe even the supernatural.
Artist Biography
Tony Cox’s 2010 show at 211 Elizabeth Street, White Trash Mystic, was called an “an unequivocal success,” and he has since been included in solo exhibitions at Home Alone 2 (New York) and Marlborough Broome Street (New York), as well as group exhibitions at Salon 94 (New York), Marlborough (Chelsea), and White Columns (New York). Cox has been featured in Maker magazine, Interview magazine, Opening Ceremony, and Purple Diary. The artist lives and works in Woodstock, New York.
Authentication & Resale
This work is accompanied by a Certificate of Authenticity signed and numbered by the artist.
Be sure to keep your Certificate of Authenticity (COA) in a safe place. We are unable to replace or reissue COAs.
Framing
Framed artwork is custom framed once it is ordered. Allow 3-5 weeks for framing and delivery.
FRAME
All of our frames are made from sustainably sourced engineered hardwood that is manufactured in the USA. Frames are available in Black or White Matte and Walnut.
MAT
Prints are hinged to a conservation quality, acid-free and lignin-free Cellulose matboard, using acid-free polyethylene cloth tape. Each mat’s surface paper is fade and bleed resistant and is attached to a conversation quality foam-core board. Some of our work (typically those pieces with a deckled edge) is floated on the matboard with spacers to separate the artwork from the glazing.
GLAZING
We use museum quality .060 mm plexiglass to frame your work. It blocks 82-85% of UV rays to prevent color fading from exposure to light, protecting your art for years to come.
DIMENSIONS
Our White and Black frames have a ⅞” wide flat face and are 15/16” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Our Natural and Walnut frames have a ¾” wide flat face and are 1 ⅛” deep. Mats are 1” wide for prints up to 8” x 10”. Mats are 2” wide for prints larger than 8” x 10”.
Any artwork that is floated will be placed in a frame that has a ⅝” wide flat face and is 1 5/16” deep. Work will be floated with a 1” border around it.
Shippings & Returns
Unframed work ships within 5 business days of your order. Framed artwork is custom framed once it is ordered. Please allow 2-4 weeks for framing and delivery. Need it faster? Expedited options may be available by emailing service@exhibitiona.com. All work ships from the US. International customers are responsible for any customs, duty, or VAT charges.
If you change your mind after placing your order, please email us at service@exhibitiona.com within 24 hours. We will not be able to accommodate cancellations for framed orders after that time period (as your frame will have been ordered and cut within that time period). We may not be able to accommodate your request to cancel your order for an unframed work after 24 hours if it has been packaged and processed by our fulfillment center.
We are unable to accept returns on custom framed artwork. Our general policy is that we do not accept returns. If your print arrives damaged or does not meet your expectations, you may be eligible for a replacement or return. Any issues must be reported within 5 business days of receipt by emailing service@exhibitiona.com.
